The score. Not the sound.
Orchestral music written as notation, not audio. Every note is an object you can move, transpose, reorchestrate — or put on a stand in front of players.
You can't edit a recording. You can edit a score.
- One frozen file
- No note actually exists
- Nothing to hand a player
- A document you own and edit
- Pitch, duration, dynamics, bowing
- On stands tomorrow morning
Hold one hour.
Bringing back at bar 840 a theme stated at bar 12. Structure, key plan and thematic returns are settled before the first note is written — which is why the hour holds together.
Played backfrom the score.
Straight from the notation through an orchestral library. No mixing, no edits, no takes. What you hear is exactly what is written.
It opens.Straight away.
Slurs, dynamics, articulations, playing indications and page layout arrive with the file. Full score and parts. No conversion, no clean-up.
Notation first.End to end.
Notes and rhythms. Never a waveform.
Structure and key plan fixed up front.
Ranges, doublings, room to breathe.
MusicXML · MIDI · engraved PDF.
Try it on your next score.
STAVIA is in private testing with composers, conductors, ensembles and publishers. Access opens in small batches. Write to us and tell us what you would put it to work on.
Every message gets an answer. No form, no newsletter.